What is Vol 4 of Black Sabbath about?
Vol. 4 saw Black Sabbath beginning to experiment with the heavy sound they had become known for. In June 2013 Mojo declared, “If booze and dope had helped fuel Sabbath’s earlier albums, Vol. 4 is their cocaine Despite their spiraling addictions, musically Vol. 4 is another ambitious outing.
Who is the producer of Black Sabbath’s Black Sabbath?
It was the first album by Black Sabbath not produced by Rodger Bain; guitarist Tony Iommi assumed production duties. Patrick Meehan, the band’s then-manager, was listed as co-producer, though his actual involvement in the album’s production was minimal.
Did Black Sabbath produce their first album without Rodger Bain?
It was the first album by Black Sabbath not produced by Rodger Bain; guitarist Tony Iommi assumed production duties. Patrick Meehan, the band’s then-manager, was listed as co-producer, though his actual involvement in the album’s production was minimal. “It’s the first album we’ve produced ourselves,” observed Ozzy Osbourne.
What Black Sabbath album did Thomas Gabriel Fischer learn to play?
Thomas Gabriel Fischer of Triptykon and previously frontman of Hellhammer and Celtic Frost cited Vol. 4 as highly influential on his musical formation and stated he “learned to play guitar from that album”. All music was written by Black Sabbath (Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward); all lyrics by Geezer Butler.
What was the first Black Sabbath album they produced themselves?
In June 1972, Black Sabbath began work on their fourth album at the Record Plant studios in Los Angeles. “It’s the first album we’ve produced ourselves,” observed Ozzy Osbourne. “Previously we had Rodger Bain as a producer – and, although he’s very good, he didn’t really feel what the band was doing.
How did Black Sabbath influence other genres of music?
Debatably, Black Sabbath laid the groundwork for various subgenres of metal with individual songs from their early catalog, exploring cosmic psychedelia on one track, symphonic accompaniment on the next, and sludgy, downtuned riffing on the song after that.